Basically the Øresund in built form foreshadowing the century of friendship that followed, the monarchs of both Sweden and Denmark dedicated Svenska Gustafskyrkan when it opened in 1911.
A beloved Venetian-inspired art palace in Copenhagen built by the Danish public sector to house the donated art collection of a brewery oligarch, located on a road widened during the car-brained 1950s.
The culmination of a project to turn sculptor Bertel Thorvaldsen into a national icon for the emerging Danish nation-state–Thorvaldsen as a sort of Danish demigod with this museum-tomb as his pantheon–this is a distinctive example of national mythmaking, architectural innovation, & adaptive reuse.